Music mastering studio is very different from normal audio recording in the studio. In fact, all the equipment and gear found in most recording and mixing studios can actually hinder the acoustics of a room to accurately monitor sound. Thus, the correct room acoustics and arrangement of the equipment inside a mastering studio is an important factor since the mastering engineer (ME) needs to hear in detail each mix. This room design should be non-environmental or with a minimum room interference. By working with an experienced mastering engineer, the recording artist is also open to more creative opinions and technical advice.

The source material is processed using equalization, compression, limiting, noise reduction and other processes. Subsequently, it is rendered to a medium such as CD or DVD. This mastered source material is also put in the proper order at this stage. This is commonly called the assembly or track sequencing. More tasks such as editing, pre-gapping, leveling, fading in and out, noise reduction and other signal restoration and enhancement processes can be applied as part of the mastering stage.

The specific medium varies, depending on the intended release format of the final product. For digital audio releases, there is more than one possible master medium, chosen based on replication factory requirements or record label security concerns.

A mastering engineer may be required to take other steps, such as the creation of a PMCD (Pre-Mastered Compact Disc), where this cohesive material needs to be transferred to a master disc for mass replication. A good architecture of the PMCD is crucial for a successful transfer to a glass master that will generate stampers for reproduction.

The process of audio mastering varies depending on the specific needs of the audio to be processed. Steps of the process typically include but are not limited to the following:

1. Transferring the recorded audio tracks into the Digital Audio Workstation (DAW) (optional).
2. Sequence the separate songs or tracks (the spaces in between) as they will appear on the final product (for example, an audio CD).
3. Process or “sweeten” audio to maximize the sound quality for its particular medium.
4. Transfer the audio to the final master format (i.e., Red Book-compatible audio CD or a CD-ROM data, half-inch reel tape, PCM 1630 U-matic tape, etc.).

Examples of possible actions taken during mastering:

1. Edit minor flaws.
2. Apply noise reduction to eliminate hum and hiss.
3. Adjust stereo width.
4. Add ambience.
5. Equalize audio between tracks.
6. Adjust volumes.
7. Dynamic expansion.
8. Dynamic compression.
9. Peak limit the tracks.